Midnight in the Crypt

S1 · E1

For Whom the Bell Rocks

By day, a young nun dutifully embraces the monastery’s quiet routines. But when no one is watching, she trades sacred silence for an electric guitar and unleashes her secret rock-star alter ego—proving that devotion and distortion might have more in common than anyone suspects.

S1 · E2

Sunny Side Up

The morning after, Sofia wakes in her cell in dark sunglasses, wincing at the light. She races to clear the refectory, where a chicken struts across a wine-stained tablecloth, then plays the picture of innocence when Mother Superior arrives. In the chapel, Mother Superior finds the one thing Sofia left behind: a pink guitar pick.

S1 · E3

Unplugged

Sofia finds her amplifier chained and padlocked under the altar cloth. That night she plays in her cell with the guitar muffled under a sack, but Mother Superior, lying awake next door, comes to check with a candle, and Sofia hides under her blanket. Once the keys are left on the table and Mother Superior is asleep, Sofia plays again, and a red-haired novice, Perpetua, appears at her door holding two wooden spoons.

S1 · E4

Midnight in the Crypt

Sofia slips Perpetua a drawing: a drum kit, an arrow pointing down, a skull and a moon. At midnight the two meet in the crypt, where Perpetua drums on copper pots and a barrel with her wooden spoons while Sofia plays guitar among the skulls. A chicken watches from a niche of bones, and Mother Superior appears at the top of the stairs with a candle.

S1 · E5

Bell Duty

Mother Superior sends Sofia and Perpetua up the bell tower to ring for Mass. Perpetua beats the bells with a wooden spoon and Sofia rides the rope, and their rhythm fills the church with dancing villagers. Mother Superior takes the rope herself, and the crowd runs back out, leaving only an old woman and her chicken in the pews.

S1 · E6

Bless Me, Sister

Sofia hears confession with a cigarette and a flask. Her penitent is Maika, a tattooed punk pilgrim with a shaved head, who shows her a photo of herself at a rock show. Soon Maika is down in the crypt on bass beside Sofia and Perpetua, and by morning she is at the monastery door with her guitar case, facing Mother Superior.

S1 · E7

The Trunk

During Mass a saint's statue topples and smashes at Sofia's boots, and Mother Superior turns up at the crypt door holding its head. Supper is eaten under her glare, while Maika spends the night in her van below the monastery, hugging her guitar case. After dark, Mother Superior goes down to the crypt alone, unlocks an old trunk marked with a star, and smiles at what she finds inside.

S1 · E8

Skeletons in the Trunk

In Maika's van, Sofia, Perpetua and Maika plan a raid on a hand-drawn map of the monastery. They creep past the snoring Mother Superior to take her keys, then follow the chicken down to the crypt and open the trunk. Inside are checkered platform boots, a pink guitar pick and a photo of a band of nuns on stage. Waiting for them on the stairs is Mother Superior, smoking.

S1 · E9

Organ vs. Guitar

At dawn Sofia plugs her guitar in at the foot of the aisle while Mother Superior takes the organ loft, cigarette in hand. Perpetua and Maika duck behind a pew as the duel builds, until a blast from the organ shatters the rose window. When the dust settles, Mother Superior laces up a pair of checkered platform boots.

S1 · E10

Silent Night

On a snowy Christmas night the Bishop arrives for Midnight Mass. Mother Superior pulls a stop on the organ, and Sofia, Perpetua and Maika burst into rock on the altar steps as the congregation raises its candles. The furious Bishop goes for the plug, then takes a swig from Maika's flask and ends up rocking out with his crozier. The next morning everyone is asleep among the empty bottles, and the Bishop drives off in the Silent Order van.